After making the mistake of drinking coffee way too late in the evening, I am now up trying to find ways to occupy myself until my body processes the rest of the caffeine that’s floating around in my veins and allows me to sleep.  And so I thought I would just do a quick write-up on the movie I saw this afternoon, and you guys get to read about it.  Lucky.

Okay, first and foremost, I want it to be clear that I did NOT go to see this film because it was some sort of Christian movie.  In fact, I had no idea that it was until after it started, but I’m getting ahead of myself.

Around 10 o’clock this morning, I got a call from my grandmother asking me if I’d like to go to the movies with her.  She said she never goes anymore, and that there was some new film out she wanted to see called Fireproof .  I agreed, of course (who among us could say “no” to their grandmother?) and looked up the times for the nearest theater on Fandango and we decided to catch an afternoon showing.

As for the film, Fandango didn’t have much to say about it, and I knew nothing.  Being a Dave Ramsey budgeter, I hardly ever go out to the movies anymore and then being a Tivo owner, I no longer watch commercials so had not seen any trailers.  So in essence, I was a totally blank slate going into this with no preconceived ideas or expectations of any kind.

The story centers around a firefighter named Caleb Holt (Kirk Cameron) and his wife, Catherine (Erin Bethea), whose marriage is on full-speed towards a divorce until Caleb’s father challenges him to hold-off on proceedings while he completes a 40-day “love dare.”  Caleb reluctantly agrees, but finds it increasingly difficult as his wife appears to slip further away as a doctor at the hospital where she works begins to vie for her affections.  Caleb presses on, however, encouraged by his father and a fellow firefighter and eventually the story meets its inevitable happy ending.  The film is supported by some good comic relief in parts, and a decent score as well.

My first thought was that the people on screen (with the exception of Kirk Cameron) really couldn’t act very well.  Then I started to see the major Christian references and quickly picked up on what kind of movie this was.  Suddenly my grandmother’s interest in this film made a lot more sense.

Great, I thought, I’ve just unknowingly signed up to watch some sort of weird, cheesy, God-flick.  Flashbacks of elementary school visits to “The Christian Cinema” in Ambler flooded over me coupled with the time I rented Left Behind (admittedly not one of my better movie choices).  I sighed inwardly and decided to just relax and see if I can’t at least enjoy some aspect of it.  At the very least, it would be kinda fun to see one of my favorite junior high crushes on the big screen for the first time since LIke Father, Like Son in 1987.

To my near-complete surprise, I found myself enjoying the film.  The acting which at first seemed contrived, actually got better as the movie progressed…or I just stopped noticing that it was poor (which is probably more likely).  I liked the characters with the exception of the doctor (whose only real contribution seemed to be that of the worst acting overall) but really found myself hoping for the happy ending.

Acting aside, my main criticism of the movie would be that it went on long after what I would have thought to be the natural end.  I understand what they were trying to communicate in that excess time, but really feel it was unnecessary.  The writers could’ve given the audience a little more credit to infer the rest themselves.

My other criticism isn’t so much specific to this movie in particular, but to these so-called “religious message” films as a whole.  I appreciate whole-heartedly what they are trying to accomplish – and indeed I would love to incorporate “The Love Dare” as part of my marriage (should I ever have one someday) but I just don’t understand why Christians feel the need to be so insanely blatant in their storytelling that they end up painting themselves into a niche corner and risk potentially turning off those they most are attempting to reach.

I’m not saying that as Christians we shouldn’t be upfront about Jesus and our faith in Him.  Not at all.  But I think that if people feel like they’re being preached to when they haven’t gone voluntarily into a church, we may not really have the impact we’re trying to.  However, if we were to just put down the Bible-shaped bat some use to beat the world over the head with and instead just show others Jesus by loving them right where they are, the results just might be surprising.

I don’t want to be too hard on Fireproof – I basically really liked it…it’s a sweet love story and I would recommended it for anyone who is in a relationship, ever has been in a relationship, or ever thinks that they may one day be in a relationship.  All I’m saying is that I think it may have drawn in a wider audience if they had spent a little more energy on character development and let the story of love, humility, sacrifice, service, forgiveness, and redemption speak for itself.  All of these things are amazingly attractive even without being framed within a full-out alter call because they are all attributes and side-effects of knowing and loving our God.  If we show the world these in our everyday lives – from the way we treat each other to the way we approach difficult situations – then we’re showing the world Jesus whether they recognize it or not, and then watch them come looking for more.

But maybe that’s just me, so take it with a grain of salt (or pepper, if you prefer), but Christian or not, I still would say go see this movie.  The story really does stand on its own; and the underlying message of love being a choice backed-up (and at times made possible) through action rather than simply feelings-based is a strong, solid one worth the time and money.

Just for fun, I’ll leave you with a link to what the New York TImes reviewer had to say about it – always good to get that objective third-partier’s 2 cents…

FIreproof: Putting Out Housefires, Reigniting Passions by Neil Genzlinger